Miles Davis - Kind Of Blue
Kind of Blue is arguably Miles’ greatest hit, the one album with which he is most associated. It is still one of the most popular jazz albums of all time, outselling most contemporary recordings and prized as a harbinger of modal jazz and revered as a paradigm of improvisation over reduced harmony—creating a perfect balance of sound and space. Outside the jazz realm, it is consistently chosen by music historians and critics as one of the best albums of all time, alongside evergreen classics by The Beatles, Elvis Presley, and others.
Inspired by many ideas—mood-painting, modal structures—behind the soundtrack to Elevator to the Gallows, Kind of Blue can be seen as Miles’ signature work not only in its enduring popularity, but its attitude as well; in many ways the album’s cool and aloof effect, with its minimal, almost dismissive musical gestures, serves as a sonic reflection of Miles legendary aloofness. The title of its famous opening track—“So What”—is a perfect reflection of Miles’ insouciant, sunglasses-at-midnight way of being.
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Kind of Blue is arguably Miles’ greatest hit, the one album with which he is most associated. It is still one of the most popular jazz albums of all time, outselling most contemporary recordings and prized as a harbinger of modal jazz and revered as a paradigm of improvisation over reduced harmony—creating a perfect balance of sound and space. Outside the jazz realm, it is consistently chosen by music historians and critics as one of the best albums of all time, alongside evergreen classics by The Beatles, Elvis Presley, and others.
Inspired by many ideas—mood-painting, modal structures—behind the soundtrack to Elevator to the Gallows, Kind of Blue can be seen as Miles’ signature work not only in its enduring popularity, but its attitude as well; in many ways the album’s cool and aloof effect, with its minimal, almost dismissive musical gestures, serves as a sonic reflection of Miles legendary aloofness. The title of its famous opening track—“So What”—is a perfect reflection of Miles’ insouciant, sunglasses-at-midnight way of being.
